Fadetest 2 Misc FX
‘09.02.16 x 4’ is one of a series of videos
created while exploring the idea of animating photographs that had been
transformed into illustrations. By applying the different effects in increasing
or decreasing increments I was able to create an effect where the different
figures emerge out of abstract shapes. They are still recognisable as people
but I was interested in testing the speed at which the forms emerged, as it
related to ideas of time and the age of the subject and photos.
‘Fade test 4 Art 1’ was a version of the
first fade tests but with the illustrative effect added which is not shown here as the file would not export correctly to a movie. The version with the
backgrounds is the more successful this time around as the effect renders the
backgrounds more alike and creates different marks to those seen in the actual
photos.
‘Fade test 2 Misc FX’ is a similar
experiment but with a series of different effects applied to the same pair of
images. The end result isn’t always subtle, but when certain effects are placed
in the right order and one of the people in the photos ‘vanishes’, the animation
achieves the effect I was aiming for.
The three ‘Fade test 6 pencil’ tests were a
deliberate effort to create something as slow and subtle as possible. I was now
thinking of how one of these animations might be shown in an exhibition setting
and how to capture the attention of the viewer. If they viewer thought they
were looking at a static image but then looked back and saw that something
might have changed then they might be more likely to watch the barely
perceptible changes. I also wanted to do something that was the complete
opposite of almost every visual stimulus in the modern world, something that
tested the attention and forced the viewer to watch something differently. Again, these tests were inspired by ideas
around aging, change, memory and perception.
The last two pencil test animations focused
on transforming the images from actual photographs to illustrations (or vice
versa) – from reality to fiction if you will. The ghost-like effects created as
people’s features fade away would later appear in a version of the printed
narrative.
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